110 × 90 × 4cm (43 × 35 in × 1.5 inches)
Acrylic on canvas.
Free shipping anywhere in the world.
In this painting, I was thinking about the physicality of dreaming — the way the mind and body drift into other states of being. I wanted to explore how retreating inward can paradoxically become an expansion outward, where the act of closing one’s eyes opens up infinite landscapes. The reclining figure anchors the composition, yet the space around them fractures into parallel worlds: a burning sky, wild flora, and a lone figure moving through liquid light. These fragments are not separate scenes but coexisting realities, echoing Deleuze’s notion of multiplicity in A Thousand Plateaus — the idea that identity and experience unfold through overlapping planes rather than linear progression.
I see the painting as a meditation on interior movement — on the mind’s ability to travel while the body remains still. The transitions between abstraction and figuration, heat and coolness, dream and waking, are attempts to visualise this oscillation. Each passage of colour becomes a threshold, a place where thought liquefies into image. Ultimately, this work is about liberation through imagination: how dreaming, like painting, offers a way of being elsewhere — a way to touch the infinite while still tethered to the material world.
110 × 90 × 4cm (43 × 35 in × 1.5 inches)
Acrylic on canvas.
Free shipping anywhere in the world.
In this painting, I was thinking about the physicality of dreaming — the way the mind and body drift into other states of being. I wanted to explore how retreating inward can paradoxically become an expansion outward, where the act of closing one’s eyes opens up infinite landscapes. The reclining figure anchors the composition, yet the space around them fractures into parallel worlds: a burning sky, wild flora, and a lone figure moving through liquid light. These fragments are not separate scenes but coexisting realities, echoing Deleuze’s notion of multiplicity in A Thousand Plateaus — the idea that identity and experience unfold through overlapping planes rather than linear progression.
I see the painting as a meditation on interior movement — on the mind’s ability to travel while the body remains still. The transitions between abstraction and figuration, heat and coolness, dream and waking, are attempts to visualise this oscillation. Each passage of colour becomes a threshold, a place where thought liquefies into image. Ultimately, this work is about liberation through imagination: how dreaming, like painting, offers a way of being elsewhere — a way to touch the infinite while still tethered to the material world.
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